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Congress Programme

Strand 1. Art Nouveau Cities: Between Cosmopolitanism and Local Tradition

Strand 2. The Historiography of Art Nouveau (Looking Back on the Past)

Strand 3. The Challenges Facing Art Nouveau Heritage (Looking Towards the Future)

Strand 4. Research and Doctoral Theses in Progresss

Strand 5. Crafts in the Origins of Modern Design

Strand 6. Special Session: New Art Nouveau Experiences and Resources

General view of Alesund's Jugendstil district (© Jugendstilsenteret)

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Jules Hofman, 1900. Les maison de Zonnenbloen, Antwerp (© Frank Derville)

I coupDefouet International Congress

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Papers and abstracts are listed in each thematic strand in which they were presented: please click on the appropriate strand to open each list. Papers listed by alphabetical order of their authors.

To see the full Congress programme click here

To download the e-book with all the Congress proceedings, please click here



Strand 1. Art Nouveau Cities: Between Cosmopolitanism and Local Tradition

One of the objectives of the Art Nouveau European Route and its magazine coupDefouet is to overcome the “large-centre” perspective which, up until a few years ago, predominated in the study of history of art, architecture and the applied and decorative arts. In this strand we went beyond the European context, even inverting the problem, and analysing how the peripheries also became creative centres to disseminate images and ideas.

Keynote speech by François Loyer

Closing speech by Gabriel Weisberg

List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

Pine Trees, Pinecones and Gentians: While the Boys were Playing, Marie-Louise Goering was Silently Redesigning La Chaux-de-Fonds

Marikit Taylor

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Pine Trees, Pinecones and Gentians: While the Boys were Playing, Marie-Louise Goering was Silently Redesigning La Chaux-de-Fonds

Marikit Taylor

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From Local to Cosmopolitan: Art Nouveau in Subotica – Szabadka

Viktorija Aladzic

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Art Nouveau in Zamora (Spain): the Influence of a Cosmopolitan Style in Local Conservative Architecture

Álvaro Ávila de la Torre

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Buenos Aires: an Overseas Periphery

Florencia Barcina

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Gaudí’s sounding board on Mallorca Cathedral’s main pulpit: from criticism to a new work

Catalina Cantarellas Camps

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Art Nouveau Commemorative Medals: Image and Desire for City

Rossend Casanova i Mandri

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Art Nouveau in Late Imperial Russia: Cosmopolitanism, Europeanization and 'National Revival' in the Art Periodical 'The World of Art' (Mir Iskusstva, 1898-1904)

Hanna Chuchvaha

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The Art Nouveau of Summer Resorts: an Architecture and a Lifestyle in Vallès Oriental

Lluís Cuspinera Font / Carme Clusellas Pagès

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The architectural Art Nouveau in the Canary Islands: the city of Santa Cruz de Tenerife as a paradigm

Alberto Darias Príncipe

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Rafael Masó’s Honeymoon: A Different Grand Tour

Jordi Falgàs Casanovas

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V International Exhibition of Art in Barcelona, 1907: Crossroad of the arts and Art Nouveau institutional swan song

Mariàngels Fondevila Guinart

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Stepping Eastwards: Hidden Realms of Art Nouveau

David Anthony Hill

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Cosmopolitan Atmosphere and Latvian Jugendstil in Liepaja

Janis Krastins

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Art Nouveau in Verona, Italy? A critical assement

Maria Barbara Marchi

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Modernisme in Bilbao: Chronology, Factors of Development, Trends and Artists

Maite Paliza Monduate

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The Art Nouveau Saragossa, a City to the Memory

María Poblador Muga

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Sant Pau Hospital – the Hospital-City Within the City. Ceramic: a traditional element which has become a unifier of spaces

Marta Saliné i Perich

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The Mask Parade. Travelling Cinemas and the Diffusion of Art Nouveau Style in the Spanish Cities (1900-1914)

Jesús Ángel Sánchez García

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Highlights on Secession: Architectural Routes and Symbolism in the City of Timisoara

Sorina Serbanescu

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Modernista Sculpture in Bilbao: Paco Durrio and Nemesio Mogrobejo

María Soto Cano

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National Endeavour or Local Identity? Art Nouveau Town Halls in Hungary

Miklos Szekely

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Chicago as an Art Nouveau City

Janet Lynn Whitmore

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Strand 2. The Historiography of Art Nouveau (Looking Back on the Past)

History has never been innocent and Art Nouveau does not escape from this premise. We wanted to reflect on how the history of Art Nouveau has been shaped and how it has become integrated into the discourse on contemporary art and avant garde movements while never abandoning contemplation of political and social interpretations of the movement through the different ways of constructing history.

Keynote speech by Peter Trowles

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List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

The revaluation of the Gothic and its influence on Art Nouveau. Historiography and Restoration in Barcelona

Agustín Cócola Gant

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Josep Puig i Cadafalch and the European Periphery

Lucila Mallart Romero

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The Recovery of Catalan Modernisme in the Postwar Period: Between the Avantgarde and Pop

Alex Mitrani Martínez de Marigorta

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Paris and Kyoto—Asai Chu making a bridge onto the Art Nouveau from Japan

Hitoshi Mori

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Casa Bellesguard: the Link between the art of Gaudí and the European Symbolism

Carles Rius Santamaria

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Drift and Fortune of Modernista Architecture in Barcelona’s Touristic Guides (1888-1929)

Carmen Rodríguez Pedret / Mónica Cruz Guáqueta

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Arquitectura Modernista: What Was/Is It?

Judith C Rohrer

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Seeking New Sins: The Erotic Deco-Sculptural Work of François-Rupert Carabin

Sarah Joy Sik

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Antoni Gaudi, Modernisme and Art Nouveau, a present state of things

Eliseo Trenc

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The Teaching of Viollet-le-Duc: Form - Function - Material - Nature. Some reflections about the work of Antoni Gaudí and Víctor Horta...

Jos Vandenbreeden

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The iconographic meaning of 'The Kiss' (The Lovers), by Gustav Klimt.

Julio Vives Chillida

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Strand 3. The Challenges Facing Art Nouveau Heritage (Looking Towards the Future)

Art Nouveau legacy has become an identifying icon in many European cities and this has caused curiosity about it to grow. Yet it is an extremely fragile heritage in terms of the complexity of materials employed and because often such heritage is located in private spaces that were never designed to be accessible to the general public. However, aware that such heritage should be publicised, it was necessary to analyse conditions so that preservation and study are compatible with its use by citizens.

Keynote speech by François Aubry

List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

1896: Devil Iconography in Architecture

Alberto T. Estévez /Judith Urbano/ Guillem Carabí / Leonor Toro

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Rooms without a view. The challenges faced so far through the conservation and restoration of the disassembled interiors of Charles Rennie Mackintosh's Ingram Street Tea Rooms

Alison Brown

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Art Nouveau Buildings of Riga for the Future

Anita Anteniške

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Drawing Trends

Sílvia Carbonell / Assumpta Dangla

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Badajoz, route of Art Nouveau architecture

José-Manuel González González

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The Cistercian monastery of Santa Maria de Valldonzella, a hardly known example of the last Catalan Modernisme architecture

Margarida Güell i Baró / Antoni Albacete i Gascón

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The Fragility Industrial Architecture, a Study in Two Urban Settings: Tarragona and Reus

Elena de Ortueta Hilberath

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The Escritoire: from the functionality in medieval period to the virtuosity of Art Nouveau

Gabriel Pinós

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Art Nouveau Looks to the Future: the Bionic Interpretation of Art Nouveau in the Museum of Aveiro

Fátima Pombo / Francisco Providência

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Viquimodernisme, a Case Study: Wikipedia as an Outreach Tool for Research and a New Teaching Resource

Esther Solé / Àlex Hinojo

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Strand 4. Research and Doctoral Theses in Progresss

Researchers and research groups – whether or not they are linked to universities or public centres – presented their projects to create a discussion space where both young postgraduate students working on their doctoral theses and more experienced researchers in the field of Art Nouveau could share their analyses and opinions.

Presentation by Teresa M. Sala

List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

The Flourishing of Belgian Ornamental Tiles & Tile Panels in the Art Nouveau Period

Mario Baeck

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Salvador Dalí: A Portrait of the Artist as a Young Man in a Modernista Landscape

Margarida Casacuberta Rocarols

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The consolidation of catalan dessmakers during Art Nouveau period: the beginnings of Haute couture

Laura Casal-Valls

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The Ornamental Sources of Hector Guimard: Attempt of Democratization by the Industrialization of a Personal Aesthetic

Frédéric Descouturelle

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Josep’s Llimona Studio

Natàlia Esquinas Giménez

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Women’s Creativity at the International Exhibition of Modern Decorative Art (Turin, 1902)

Caterina Franchini

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Art collecting between Catalonia and China (1880-95)

Mònica Ginés Blasi

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Enrique Nieto: Architect collaborator of Gaudí. Influences and works in Barcelona

Luis Gueilburt Talmazan

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Doctoral thesis on vegetal ornamentation and leisure time architectures of the Art Nouveau in Barcelona

Fàtima López Pérez

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Aleix Clapés and the murals of Milà’s house

Carlos Lupercio Cruz

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Art Nouveau sgraffitos in the old town of Barcelona. Facades and interiors

Daniel Pifarré Yáñez

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Mackintosh Architecture. A Pioneering Study at the University of Glasgow

Pamela Robertson

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Art Nouveau Industrial Buildings in Catalonia

Jordi Rogent i Albiol / Jordi Tasias i Sagarra

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Strand 5. Crafts in the Origins of Modern Design

During the Art Nouveau years, a new manner of conceiving the applied arts and crafts emerged, one which Nikolaus Pevsner pinpointed years ago as the origin of modern design. Current studies have broadened this horizon. Art Nouveau is not the sole foundation of design but nevertheless one of the most significant. In this section, we aimed to discuss how the applied arts and crafts have also contributed to defining the character of Art Nouveau cities.

Keynote speech by Hélène Guéné

List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

Modernista iron in Barcelona: a Heritage to Revalue

Lluïsa Amenós Martínez

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The formation of a Design Local Market: significance of the catalan Modernisme in the local history of the design

Anna Calvera

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John Sloan’s 'Poster Style': Art Nouveau and the Graphic Tradition in America

Taylor J. Acosta

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Art Nouveau Stained Glass in the Canary Islands: Catalan Contributions of a Foreign Art

Jonás Armas Núñez

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The Amigó Workshop: from Tradition to Progress. The Road to the Modernista Stained Glass

Núria Gil Farré / Sílvia Cañellas Martínez

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New Sources for the Study of Barcelona Public Sculpture on the Eve of Art Nouveau

Irene Gras / Cristina Rodríguez

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Sex, Skill, and Politics: Art Nouveau and French-English Relations

Paul Greenhalgh

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The lace in the Art Nouveau Catalonia, in search of Europe and modernity

Joan Miquel Llodrà Nogueras

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The Slovenian Taste for Art Nouveau Furniture

Maja Lozar Štamcar

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Klein Tires: Advertising and Modernisme in early 20th century Barcelona.

Pau Medrano Bigas

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The Prominence of Iron in Modernista Façade Ornamentation: railing designs in Zamora

María Ascensión Rodríguez Esteban

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Josep Triadó Mayol and the Arts applied to Architecture: Pottery, Mosaic and Stained Glass

Aitor Quiney Urbieta

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British Art Nouveau Tiles as Household Identity Signifiers

Noriko Yoshimura

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Strand 6. Special Session: New Art Nouveau Experiences and Resources

Growing interest from diverse spheres in Art Nouveau heritage has multiplied research, study, dissemination and organisational activities related to this heritage in the last decade. This special session presented five specific cases from around the European continent that provide new experiences and new resources for researchers, organisations and the general public.

List of Papers Presented in this Strand

Here you may download each of the papers and the respective abstracts. Papers listed by alphabetical order of their authors. Abstracts include brief CV of the author and all have a version in English; full papers are in the language they were submitted in.

The Quest for a True International Perspective to Art Nouveau: The European Route and its Magazine coupDefouet

Lluís Bosch

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Foundation Livia Titi Basile- Basile’s Archives

Massimiliano Marafon

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Reseau Art Nouveau Network (1999-2012) activities and experiences

Breda Mihelič

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The urban look. New concepts to address the Park Güell and Barcelona

Joan Roca / Mireia Freixa/ Mar Leniz

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The Barcelona's Museum of Design: From Decorative Arts to Design and Contemporary Arts

Pilar Vélez

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