The building is the master-work of Béla LAJTA´s early career (1908), illustrating the unity between Northern-European tradition and the Hungarian search for National Architecture based upon vernacular traditions. Biblical quotations set amongst folk art motives are carved on the wooden entrance gate, making them accessible to blind children. The gates, gate-rails, terrazzo-facings, carved wooden roof details preserve the architect´s special decorative style. The homogeneous brick-facing allows the integration of symmetrical and asymmetrical elements within one monumental unity. The entrance is a parabolic arch, a motif repeated in certain of the windows. Use of this motif was widespread throughout Scandinavia and in Hungary. (Source: Budapest Architectural guide - 20th century, 6Bt, 1997)

Today it is the Center for Children and Young People with Disabilities.

www.mozgasjavito.hu

© Bartha Levente

Sándor BAUMGARTEN, as architect of the Cultural Ministry, designed and built hundreds of school buildings throughout the country. Following his collaboration with Ödön LECHNER, Baumgarten carried out projects in the manner of his master, using sinuous and decorative brick columns and divisions.
Consequently Baumgarten became the most prolific adherent and propagator of Lechner´s architectural style. Among his most significant buildings in Budapest is the School for the Blinds (1899-1904), which represents a transition between Neo-Gothic architecture and Lechner´s style. The interior design, especially the assembly hall and its stained-glass windows which numbers amonst the largest continuous painted glass surfaces in Hungary, are certainly worth a closer look. (Source: Budapest Architectural guide - 20th century, 6Bt, 1997)

www.vakisk.hu

© Papp Tímea, KÖH

The Institute, designed by Ödön LECHNER and built by Sándor HAUSZMANNN, serves the same function since its opening since 1899 - this naturally contributed to the conservation of the original appearance in a relatively intact state. The magnificent roof of ZSOLNAY tiles shining in several shades of blue can be overviewed from the roof terrace of the back annex of the building. One can feel the Oriental atmosphere inside the building: in the foyer, the stairways and the corridors. The way Lechner takes out motives from the small-scale world of embroidery and carving and shapes them into monumental spatial elements while preserving their original character is the culminating point of his brilliant style creation. (Source: Art Nouveau in Hungarian Way, Ödön Lechner, 1845-1914, Kulturális Örökségvédelmi Hivatal, 2004)

www.mafi.hu

© Horváth Edina, KÖH

The Hotel Palace is one of the finest Budapest examples of the architects Marcell KOMOR and Dezsö JAKAB in 1910. It is characterised by an idiosyncratic interpretation of LECHNER´s architectural heritage. A simplification of Lechner´s architectural language was often used in parallel with elements drawn from other architectural styles. The secret of the architects´ popularity can be found in the excellent planning and structure of their buildings, as well as the general accessibility of their style. The facade of the hotel introduces an array of ceramic and plaster ornament, roof and balcony shapes, wrought-iron work and wood carvings; the inventory of the playful world of the duo's. (Source: Budapest Architectural guide - 20th century, 6Bt, 1997)

novotel.com

© Horváth Edina, KÖH