For the first time the exhibition "Sargent and Spain" presents approximately 120 dazzling oils, watercolors, and drawings, many of which are rarely exhibited. Also featured from the artist's travels are some 28 never-before published photographs, several almost certainly taken by Sargent himself.

Celebrated as the leading society portraitist of his era, John Singer Sargent influenced a generation of American painters. His personal captivation with Spain resulted in a remarkable body of work that documents his extensive travels from the north to the south and to the island of Majorca. Over three decades Sargent responded to the country's rich culture by producing landscapes and marine scenes, pictures of everyday life, and architectural studies, as well as sympathetic portrayals of the locals he encountered.

The exhibition explores the life and work of the English artist and his fundamental contribution to the recognition of the applied arts.
Never before presented in such magnitude in France, the work of the visionary William Morris strongly marked his time by theorizing a social, political, ecological and artistic utopia. He was the main builder of the foundations of what would later be called Arts & Crafts, a movement which defended the presence of art in everything and for everyone in response to the industrialization of craftsmanship.

Featuring a vibrant selection of colour woodblock prints from the collection of the Two Red Roses Foundation; this exhibition includes master artists such as Eliza Draper Gardiner, Frances Gearhart, Edna Boies Hopkins, BJO Nordfeldt, Margaret Jordan Patterson, and many more. "American Arts and Crafts Woodblocks" tells the story of how artists of the time experimented with this medium to make unique and personal interpretations of this technique.

The exhibition presents an outstanding collection of Arthur Wesley Dow's eclectic artwork from the Two Red Roses Foundation. This exhibition features over 60 works including color woodblocks, paintings, and original cyanotypes from the rare Ipswich Days album.

A revered painter, printmaker, photographer, and educator, Dow studied in Paris and taught extensively from the 1880's through the 1910's. As an art educator, Dow's ideas on art were centered on the democratic nature of artistic expression, that art should be part of everyday life and not just enjoyed by the few. His 1899 book Composition: A series of Exercises in Art Structure for the Use of Students and Teachers, teaches students to create harmonious works of art through the elements of the composition, such as line, balance, and color. Dow's many students include photographer Alvin Langdon Coburn, painter Georgia O'Keefe, and the Overbeck sisters, whose works in pottery you can see on MAACM's fourth floor. Dow's Composition is still taught today using his theories of space and design, and his legacy ripples through artistic expression through the 19th and 20th centuries.

Tilla Durieux was a celebrated star of the film and theater, a modern woman of the 1920s, politically active and perhaps the most portrayed woman of her time. The roles of Tilla Durieux (1880-1971) were as varied as the artists for whom she posed as a model, among them Auguste Renoir, Max Slevogt, Lovis Corinth, Franz von Stuck, Charley Toorop, Ernst Barlach, Oskar Kokoschka, Max Oppenheimer and the photographers Lotte Jacobi and Frieda Riess.

This exhibition will focus on the contradictory and dogmatic personality of Feliu Elias (Barcelona, ??1878-1948). An artist with a multifaceted personality in which the painter Elias, the caricaturist Apa, the historian and art critic Joan Sacs and even the "Green Devil", another of his aliases when he signs articles on technique, coexist and painting trades.

The exhibition will present a synthesis of his creative activity, focusing especially on his miniaturist brushwork painting that, within a magical realism, equally exalts his familiar sphere - a humble light bulb, a fried egg, a toile de Jouy, an Elizabethan chair or a mortar- than his daughters or artistic passions, such as Dutch painting, Alfred Sisley or Chinese ceramics. It is a painting that is not subject to major technical evolutions, that remains impassive and faithful to specific themes throughout its entire life, and that radiates its predilection for material culture

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

The Fondation de l'Hermitage is devoting a major retrospective to one of the most important Belgian artists of the early 20th century: Léon Spilliaert (Ostend 1881-Brussels 1946). Self-taught, trained in the literature of his time, and convinced of his destiny as a chosen artist, Spilliaert is the author of a work of profound originality, bathed in metaphysical questions and Flemish culture, and produced almost exclusively on paper. Mixing graphic techniques, the Ostend artist weaves links with contemporary symbolism and expressionism and seems to announce, in his most radical landscapes, simplified to the extreme, geometric abstraction and minimalism.

This temporary exhibition was created with the aim of presenting the works and objects that have entered the collections of the three Sitges museums since 2014. This date marked the reopening of the seafront, Cau Ferrat and Maricel museums. Since then the museums have incorporated 1,382 works, objects and documents, of which a selection of 300 are now on display.

Among the works on display are pieces by Picasso, Isidre Nonell, Ramon Casas, Santiago Rusiñol, Olga Sacharoff and Alonso Cano, as well as one of the largest glass collections in Catalonia, which includes pieces from ancient Egypt to the 18th century.

The exhibition presents a journey that traces the painter's growing interest in floral elements. Through Anglada-Camarasa's oils, drawings, photographs, prints and clothing, we can see how flowers became an important element in his paintings and how they shaped his life.