For the first time the exhibition "Sargent and Spain" presents approximately 120 dazzling oils, watercolors, and drawings, many of which are rarely exhibited. Also featured from the artist's travels are some 28 never-before published photographs, several almost certainly taken by Sargent himself.

Celebrated as the leading society portraitist of his era, John Singer Sargent influenced a generation of American painters. His personal captivation with Spain resulted in a remarkable body of work that documents his extensive travels from the north to the south and to the island of Majorca. Over three decades Sargent responded to the country's rich culture by producing landscapes and marine scenes, pictures of everyday life, and architectural studies, as well as sympathetic portrayals of the locals he encountered.

The exhibition explores the life and work of the English artist and his fundamental contribution to the recognition of the applied arts.
Never before presented in such magnitude in France, the work of the visionary William Morris strongly marked his time by theorizing a social, political, ecological and artistic utopia. He was the main builder of the foundations of what would later be called Arts & Crafts, a movement which defended the presence of art in everything and for everyone in response to the industrialization of craftsmanship.

Featuring a vibrant selection of colour woodblock prints from the collection of the Two Red Roses Foundation; this exhibition includes master artists such as Eliza Draper Gardiner, Frances Gearhart, Edna Boies Hopkins, BJO Nordfeldt, Margaret Jordan Patterson, and many more. "American Arts and Crafts Woodblocks" tells the story of how artists of the time experimented with this medium to make unique and personal interpretations of this technique.

The exhibition presents an outstanding collection of Arthur Wesley Dow's eclectic artwork from the Two Red Roses Foundation. This exhibition features over 60 works including color woodblocks, paintings, and original cyanotypes from the rare Ipswich Days album.

A revered painter, printmaker, photographer, and educator, Dow studied in Paris and taught extensively from the 1880's through the 1910's. As an art educator, Dow's ideas on art were centered on the democratic nature of artistic expression, that art should be part of everyday life and not just enjoyed by the few. His 1899 book Composition: A series of Exercises in Art Structure for the Use of Students and Teachers, teaches students to create harmonious works of art through the elements of the composition, such as line, balance, and color. Dow's many students include photographer Alvin Langdon Coburn, painter Georgia O'Keefe, and the Overbeck sisters, whose works in pottery you can see on MAACM's fourth floor. Dow's Composition is still taught today using his theories of space and design, and his legacy ripples through artistic expression through the 19th and 20th centuries.

Tilla Durieux was a celebrated star of the film and theater, a modern woman of the 1920s, politically active and perhaps the most portrayed woman of her time. The roles of Tilla Durieux (1880-1971) were as varied as the artists for whom she posed as a model, among them Auguste Renoir, Max Slevogt, Lovis Corinth, Franz von Stuck, Charley Toorop, Ernst Barlach, Oskar Kokoschka, Max Oppenheimer and the photographers Lotte Jacobi and Frieda Riess.

This exhibition will focus on the contradictory and dogmatic personality of Feliu Elias (Barcelona, ??1878-1948). An artist with a multifaceted personality in which the painter Elias, the caricaturist Apa, the historian and art critic Joan Sacs and even the "Green Devil", another of his aliases when he signs articles on technique, coexist and painting trades.

The exhibition will present a synthesis of his creative activity, focusing especially on his miniaturist brushwork painting that, within a magical realism, equally exalts his familiar sphere - a humble light bulb, a fried egg, a toile de Jouy, an Elizabethan chair or a mortar- than his daughters or artistic passions, such as Dutch painting, Alfred Sisley or Chinese ceramics. It is a painting that is not subject to major technical evolutions, that remains impassive and faithful to specific themes throughout its entire life, and that radiates its predilection for material culture

Monographic exhibition dedicated to the great illustrator Ricard Opisso i Sala. The show presents more than 30 works by this unique artist, who began his career with Antoni Gaudí and became popular illustrating the pages of TBO, a Catalan comic magazine written in Spanish with some issues in Catalan, which appeared in 1917 and was published, with interruptions, until 1998.

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

Maillol, very present in Paris thanks to the bronzes installed in the Carrousel gardens by Dina Vierny and André Malraux, and inaugurating the sculpture gallery of La Piscine with Île-de-France, the Catalan Aristides Maillol appears as a sculptor as essential as he is misunderstood and little known.

Thanks to exceptional loans, Maillol's work is presented in all its variety: mainly sculptures, but also paintings, ceramics, embroidery and decorative art objects, as well as drawings and engravings. Although the exhibition covers his entire career, it focuses in particular on the early period, during which Maillol discovered his true vocation and established himself as a sculptor.

Who inspired Gustav Klimt, the great master of Viennese Modernism? How familiar was he with Vincent van Gogh? Had he ever seen a work by Henri Matisse? The collaborative exhibition between the Belvedere in Vienna and the Van Gogh Museum in Amsterdam follows a trail that starts with Klimt's artistic forerunners and leads to his contemporaries. In striking juxtaposition, the show displays works by Klimt, Van Gogh, Matisse, and many others.

Curated by Markus Fellinger (Belvedere, Vienna), Edwin Becker (Van Gogh Museum, Amsterdam) and Renske Suijver (Van Gogh Museum, Amsterdam).

The Fondation de l'Hermitage is devoting a major retrospective to one of the most important Belgian artists of the early 20th century: Léon Spilliaert (Ostend 1881-Brussels 1946). Self-taught, trained in the literature of his time, and convinced of his destiny as a chosen artist, Spilliaert is the author of a work of profound originality, bathed in metaphysical questions and Flemish culture, and produced almost exclusively on paper. Mixing graphic techniques, the Ostend artist weaves links with contemporary symbolism and expressionism and seems to announce, in his most radical landscapes, simplified to the extreme, geometric abstraction and minimalism.

The installation takes a new approach to the work of the ever-popular Katsushika Hokusai (1760-1849). This major exhibition explores in detail the impact Hokusai exerted on other artists, both during his lifetime and beyond, having a great influence on Art Nouveau creators.

The installation explores a period of great upheaval when artists broke with established tradition and laid the foundations for the art of the twentieth and twenty-first centuries.

The decades between 1880 and the outbreak of the First World War in 1914 were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. The installation celebrates the achievements of three giants of the era: Paul Cézanne, Vincent van Gogh and Paul Gauguin. It follows the influences they had on their peers, on younger generations of French artists and on wider circles of artists across Europe in Barcelona, Berlin, Brussels and Vienna.

With over a hundred works by painters ranging from Klimt and Kokoschka, Matisse and Picasso to Mondrian and Kandinsky, complemented by a selection of sculpture by artists including Rodin and Camille Claudel, the presentation follows the creation of a new modern art, free of convention, taking in Expressionism, Cubism and Abstraction.

It also includes some of the most iconic works of art created during these decades. Important loans come to the exhibition from institutions and private collections worldwide, including the Museum of Modern Art, New York; Musée d'Orsay and Musée Rodin, Paris; Art Institute of Chicago; National Galleries of Scotland, Edinburgh; Museu Nacional d'Art de Catalunya, Barcelona; Tate Modern, London; and the Wadsworth Atheneum Museum of Art in Hartford, Connecticut.

Sarah Bernhardt, (1844-1923), was an emblematic figure who spanned the 19th and 20th centuries. The "Divine Sarah", who was an artist as well as an actress, takes centre stage at the Petit Palais in an exceptional exhibition to mark the centenary of her death. The museum holds important collections of works linked to the actress, including the spectacular portrait of her that was painted in 1876 by her friend Georges Clairin and donated by her son Maurice. Photographs, paintings and even a film reveal the private side of her art, but also the publicity she sought for her work as an artist.

The first comprehensive exhibition in Austria of highlights from the Würth Collection, which  is among the largest private collections in Europe and one of the most eminent compilations of artworks worldwide. For the conception of the exhibition, which unites works from Classical Modernism to contemporary art and thus allows for a unique journey through 100 years of art history, the Leopold Museum's Director Hans-Peter Wipplinger was given carte blanche to select 200 masterpieces from the approximately 20,000 works comprised in the collection and to show these highlights from the Würth Collection on two exhibition levels at the Leopold Museum.

This temporary exhibition was created with the aim of presenting the works and objects that have entered the collections of the three Sitges museums since 2014. This date marked the reopening of the seafront, Cau Ferrat and Maricel museums. Since then the museums have incorporated 1,382 works, objects and documents, of which a selection of 300 are now on display.

Among the works on display are pieces by Picasso, Isidre Nonell, Ramon Casas, Santiago Rusiñol, Olga Sacharoff and Alonso Cano, as well as one of the largest glass collections in Catalonia, which includes pieces from ancient Egypt to the 18th century.

The first exhibition to compare the three artistic metropolises of the turn of the century: Munich, Vienna and Berlin. As Modernism dawned, the artistic avant-gardes pushed for freedom in both the institutions of art and the subject matter expressed. Many artists within the new currents of Symbolism, Art Nouveau and Impressionism were first presented in the highly regarded Secession exhibitions. This installation comprises more than 200 paintings, sculptures and graphic works by 80 artists. It features not only many artists who can be discovered for the first time, but also foregrounds the oeuvre of Gustav Klimt with numerous examples of his work.

The Jugendstilsenteret celebrates its twentieth anniversary with the exhibition "Owls Fly at Dusk, the Art Nouveau Center at twenty". The installation delves into the Jugendstilsenteret's collection, with a selection of objects that have rarely or never been shown to the public. They are displayed alongside better-known objects from the collection and works on loan from the National Museum of Decorative Arts and Design in Trondheim. "Owls Fly at Dusk" also features film footage and music from around 1900. True to Art Nouveau ideals, the exhibition is conceived as a holistic installation emphasizing sensory and aesthetic experience.

The exhibition "Forms of Nature" presents twenty privately owned ceramic works by Henry van de Velde.
The presentation highlights his interest in natural forms and underlines the influence that the naturalist Ernst Haeckel
had on the new designs of the Jugendstil period. Flowers, shells and insects were always a source of inspiration for the
Belgian art reformer Henry van de Velde. In Van de Velde's vases, for example, one can recognise jellyfish or octopuses,
which are jellyfish or octopuses, while his vegetal ornamentation is reminiscent of abstract flowers.

In three acts, the exhibition traces the history of Alphonse Mucha, the king of the printed poster, a symbolic figure of Art Nouveau inseparable from the Paris of the Belle Époque, and shows his major works, including the spectacularly presented Slavic Epic. It also highlights the lasting influence of the artist, a source of inspiration for today's creation, from street art to manga, from cinema to tattooing.

The exhibition explores the life and work of the French Art Nouveau architect and designer Hector Guimard. With ca.100 works including furniture, jewelry, metalwork, ceramics, drawings, and textiles from collections worldwide; the installation provides a comprehensive look at Guimard's Career, his wife's creative collaboration and his commitment to accessible design.

The presentation explores the life and work of Hector Guimard (1867-1942), the French architect and designer whose name is synonymous with the French Art Nouveau movement. Bringing together furniture and design objects including jewelry, metalwork, ceramics, drawings, and textiles from collections worldwide, this is the first major American museum exhibition devoted to Guimard since 1970.

The exhibition is co-organized by the Richard H. Driehaus Museum and Cooper Hewitt, Smithsonian Design Museum.

This exhibition showcases commissioned floral design installations from local floral designers in dialogue with work by Louis Comfort Tiffany and Tiffany Studios. The show is curated by Elizabeth Cronin, the owner of Chicago's Asrai Garden-and widely known as one of the judges on HBO Max's competition program, "Full Bloom"-who has selected both the participating floral designers and the Tiffany objects on view.

As part of "Art Nouveau Brussels 2023'", the King Baudouin Foundation will be exhibiting a series of art nouveau masterpieces from its collection - from priceless works of art to a variety of everyday objects. Visit this free exhibition to discover the special stories and interesting anecdotes behind each of the objects.

The installation aims to free Victor Horta of his Art Nouveau label and offer other readings of his work, such as his links with eclecticism and Art Deco. It also focusses on the major role of his masters: architects Alphonse Balat, Eugène Viollet-le-Duc and Joseph Poelaert. The show hopes to liberate Horta's work from all preconceived ideas, painting a portrait of the architect that takes into account all of his contradictions.

The Autrique House presents the work and life of Privat Livemont, an emblematic Art Nouveau artist from Brussels. Working as a versatile artist, a craftsman, and a teacher at the Industrial Academy in Schaerbeek, Livemont seems to have been a tireless worker. He is best known for his posters and the sgraffiti on many facades in Brussels.

The exhibition tells the story of Edvard Munch and Berlin illustrated by about 80 works: Paintings, prints and photographs.With the radical modernity of his paintings, Edvard Munch (1863-1944) challenged his contemporaries, especially in Berlin, where the Norwegian symbolist exerted big influence in the art scene at the turn of the century.

The show features highlights from the museum's extensive collection of Austrian art from the period 1890 to 1940. Neue Galerie New York is the result of the close thirty-year friendship shared between art dealer and museum exhibition organizer Serge Sabarsky and Ronald S. Lauder, the museum's co-founder and President. They spent countless hours together discussing Gustav Klimt, Egon Schiele, and Oskar Kokoschka. In the decade before Sabarsky died, they dreamed of creating a museum of Austrian and German art, and the Neue Galerie New York is the outcome of this shared passion.

After extensive research, Gustav Klimt's portrait of Adele Bloch-Bauer II, 1912-1913, is presented in a special exhibition.

Adele Bloch-Bauer II is back in Vienna to undergo scientific analysis and restoration in the Belvedere's workshops. Until February 2024, this occasion presents a unique opportunity to witness this outstanding privately owned late work by Gustav Klimt in its original form and gain insight into the artist's painting technique, thanks to current research findings.

With this long-overdue, large-scale exhibition, the Leopold Museum intends to shed new light on the eminent and ground-breaking oeuvre of Max Oppenheimer, which has unjustly fallen into oblivion, and to explore the wealth of his works' motifs. Furthermore, the presentation looks at the role of the artist and his networks through his contemporaries Oskar Kokoschka and Egon Schiele.

This exclusive exhibition of René Lalique drawings also includes a selection of René Lalique jewels.

A La Vieille Russie's collection of Fabergé drawings are also on view, alongside a selection of corresponding pieces. Both Lalique and Fabergé exhibited at the 1900 Exposition Universelle in Paris, each receiving top honours.

Naturally flowing lines, ingeniously curved shapes and an exuberant wealth of floral, figurative and abstract ornamentation - these are the distinguishing characteristics of Art Nouveau, the French and Belgian version of Jugendstil. France and Belgium played a major role in the upheaval of European art and design around 1900, which paved the way for modernism. Paris in particular exerted an enormous magnetic attraction: Architects such as Hector Guimard and Eugène Gaillard worked here; poster designers such as Henri de Toulouse-Lautrec and Alfons Mucha revolutionized graphic design.

To mark the 50th anniversary of the Bröhan-Museum, this extensive exhibition is dedicated to one of the museum's focal points - French and Belgian Art Nouveau. With great playfulness and especially floral ornamentation, the Art Nouveau artists in cities such as Brussels, Paris and Nancy created a new design for the Belle Époque, which soon captivated the whole of Europe. With outstanding pieces from national and international private collections, the Bröhan-Museum is bringing the glory of this era back to life. Some of the items on loan are being shown to the public for the first time.

"Stars, Feathers, Tassels: The Wiener Werkstätte Artist Felice Rix-Ueno (1893-1967)" is a solo exhibition organized by the MAK Museum to commemorate the 130th birth of the artist. The insinstallation, with 200 arworks, presents a broad cross section of her oeuvre.

With her highly poetic, independent style, Felice Rix-Ueno established herself as one of the most remarkable artists of the Wiener Werkstätte (WW). She produced hundreds of design drawings for the WW, primarily for fabric patterns but also for wallpapers, embroideries, works in enamel, fashion and home accessories, toys, and commercial graphic design. In her second home of Japan, she found success as a university professor and founded her own design institute.

The the aim of this exhibition is to understand Horta's expression and vocabulary without any preconceived ideas...To understand Horta from the inside by going off the beaten track.

The exhibition shows the multifaceted nature of the Art Nouveau period and the further development of international Arts and Crafts up to the 1930s with a focus on Art Deco and Bauhaus.

The exhibition is devoted to the life and work of Susanne Homann (1866-1923), an exciting and versatile woman. She photographed the cosmopolitan spa Bad Nauheim from the Belle Époque. On display are numerous photographs that Homann took over the course of her career in very different areas.

Is Art Nouveau a style? Or could it be better described as a state of mind and an insatiable faith in modernity? Maison Hannon presents "Belgian Art Nouveau: Van de Velde, Serrurier-Bovy, Hankar & Co", an exhibition devoted to the Belgian Art Nouveau movement in all its diversity. With a wide range of pieces from public and private collections, many of which have never been seen before.

The exhibition presents a journey that traces the painter's growing interest in floral elements. Through Anglada-Camarasa's oils, drawings, photographs, prints and clothing, we can see how flowers became an important element in his paintings and how they shaped his life.