The exhibition "Elves by Friedrich Wilhelm Kleukens" shows seven large-format paintings of elfish winged creatures painted over 100 years ago by Kleukens for the waiting room of Bathhouse Number Two in Bad Nauheim's Sprudelhof. These paintings can be seen close up in all their detail until October 2024, when they will be returned to their original place in the bathhouse, which will again serve as part of the spa facilities.

The exhibition invites visitors to reflect on the relationship between man and the earth, exploring the historical link between the countryside and the market from the 19th century to the present day.

With works by artists such as Ramon Casas, Joaquim Mir, Alphonse Mucha, Hermen Anglada Camarasa, Modest Urgell and Joaquim Vayreda, among others, the presentation allows us to discover how artists have represented the fields and markets over the years.

Is Art Nouveau a style? Or could it be better described as a state of mind and an insatiable faith in modernity? Maison Hannon presents "Belgian Art Nouveau: Van de Velde, Serrurier-Bovy, Hankar & Co", an exhibition devoted to the Belgian Art Nouveau movement in all its diversity. With a wide range of pieces from public and private collections, many of which have never been seen before.

The installation, based on the museum's extensive collection of around 1,800 drawings by the artist, reveals the dominant theme of the life and work of the Austrian printmaker, illustrator and writer Alfred Kubin (1877-1959).

The exhibition will bring together the most beloved of Van Gogh's paintings from across the globe, some of which are rarely seen in public, and they will be paired with his extraordinary drawings. Among them will be Starry Night Over the Rhône and The Yellow House, as well as the National Gallery's own Sunflowers and Van Gogh's Chair.

The Albertina Museum is honoring Egon Schiele, one of expressionism's most important visual artists, with a revolutionary exhibition. Based on a concept originated by Ciprian Adrian Barsan, it envisions a return of Schiele's lost works-known only from black-and-white photographs- courtesy of Adrian Ghenie's hauntingly emphatic artistic abilities.

The theme of the installation is the changing relationship between the poster as an artistic and creative medium and the role played in it by women. Male poster designers from the first heyday of German poster design, from 1905 to 1921 approximately, used woman as a theme and women as models in a variety of ways.
The show and the accompanying exhibition catalogue present a selection from the collections of F. W. Neess and Maximilian Karagöz, showing the diverse public portrayals of women on posters. Works skilfully communicated social ideas of the day on what women should be. They conveyed what behaviour was socially desirable, what freedoms were conceivable, but also which boundaries were non-negotiable.
However, in this time women also designed posters professionally, even when they had to do it in opposition to gender prejudices. Their designs showed the growing confidence of women to move away from one-off handicrafts and small formats to large-format, mass-produced advertisements. It could be said, therefore, that these women championed emancipation through poster design.

The central theme of the inaugural exhibition of this art centre is flowers in the style of the Dutch Art Nouveau. With masterpieces and surprising objects from the collection of the Drents Museum, this show takes the visitor on a journey into the floral imagination around 1900.

The show includes works by Chris Lebeau, Julie de Graag, Simon Moulijn, Johanna van Eijbergen, Carel Adolphe Lion Cachet, Ruud van Empel and Saskia Boelsums.

The exhibition presents a journey that traces the painter's growing interest in floral elements. Through Anglada-Camarasa's oils, drawings, photographs, prints and clothing, we can see how flowers became an important element in his paintings and how they shaped his life.