Enjoy the original posters from the turn of the century (ca. 1900) and discover the differences.

Neue Galerie New York celebrates the twentieth anniversary of the founding of the museum this year. The latest presentation of "Austrian Masterworks from the Neue Galerie" features highlights from the museum's extensive collection of Austrian art from the period 1890 to 1940, including major works by Gustav Klimt, Oskar Kokoschka, Alfred Kubin, and Egon Schiele.

The Réseau Art Nouveau Network presents the online lecture "Helena Vurnik's Decoration of Ljubljana's Most Iconic Art Nouveau Building", by Helena Seražin, which is part of the online lecture series "Women on Stage. Discovering the Artistic Female Contribution to Art Nouveau".

Helena Seražin, (1970) obtained her PhD in 2003 in art history at the Faculty of Arts, University of Ljubljana. She works as a Research Adviser at the France Stele Institute of Art History at the Research Centre of the Slovenian Academy of Sciences and Arts (UIFS ZRC SAZU) in Ljubljana. As an Assistant Professor she also gave lectures at University of Ljubljana and Faculty of Humanities in Capodistria. A recipient of various scholarships, she visited numerous institutions to perform research at their departments of art history or history of architecture, among them Università Ca' Foscari and IUAV in Venice and Villa I Tatti, The Harvard University Center for Italian Renaissance Studies in Florence.

In the last period she has led several applied projects related to modernist architecture and 20th-century urbanism, among them she headed the Slovenian partnership in the EU project "Women's Creativity since the Modern Movement - MoMoWo," (2014-2018), an interdisciplinary project co-funded by CREATIVE EUROPE program, www.momowo.eu). Regardless of the leadership of the above, she continuously performs research on early modern art and architecture, centering on profane and sacred architecture and art commissioning in early modern Slovenia and the territory of the Venetian Republic. She is author and editor of several scientific monographs?among them To the fore: female pioneers in Slovenian architecture, civil engineering and design?and periodicals. Among others, she is the president of Slovenian Association of Art Historians.

The lecture is free, but registration is required in advance by sending an email to info@artnouveau-net.eu. You will receive a Zoom link that will allow you to attend the lecture.

The lecture is cheduled on 11 October at 18h.

The exhibition shows "crown jewels" of the Mucha Family Collection, the world's largest and most comprehensive collection of Mucha's work in the world, this exhibition contains over 200 artworks, some of which have never been exhibited before. It looks at the development of Mucha both as an artist and as a man: as a Czech, a European and a world citizen, living through one of the most turbulent times in European history - with lessons that are perhaps more relevant today than ever before.

For the first time the exhibition "Sargent and Spain" presents approximately 120 dazzling oils, watercolors, and drawings, many of which are rarely exhibited. Also featured from the artist's travels are some 28 never-before published photographs, several almost certainly taken by Sargent himself.

Celebrated as the leading society portraitist of his era, John Singer Sargent influenced a generation of American painters. His personal captivation with Spain resulted in a remarkable body of work that documents his extensive travels from the north to the south and to the island of Majorca. Over three decades Sargent responded to the country's rich culture by producing landscapes and marine scenes, pictures of everyday life, and architectural studies, as well as sympathetic portrayals of the locals he encountered.

The exhibition explores the life and work of the English artist and his fundamental contribution to the recognition of the applied arts.
Never before presented in such magnitude in France, the work of the visionary William Morris strongly marked his time by theorizing a social, political, ecological and artistic utopia. He was the main builder of the foundations of what would later be called Arts & Crafts, a movement which defended the presence of art in everything and for everyone in response to the industrialization of craftsmanship.

Featuring a vibrant selection of colour woodblock prints from the collection of the Two Red Roses Foundation; this exhibition includes master artists such as Eliza Draper Gardiner, Frances Gearhart, Edna Boies Hopkins, BJO Nordfeldt, Margaret Jordan Patterson, and many more. "American Arts and Crafts Woodblocks" tells the story of how artists of the time experimented with this medium to make unique and personal interpretations of this technique.

The exhibition presents an outstanding collection of Arthur Wesley Dow's eclectic artwork from the Two Red Roses Foundation. This exhibition features over 60 works including color woodblocks, paintings, and original cyanotypes from the rare Ipswich Days album.

A revered painter, printmaker, photographer, and educator, Dow studied in Paris and taught extensively from the 1880's through the 1910's. As an art educator, Dow's ideas on art were centered on the democratic nature of artistic expression, that art should be part of everyday life and not just enjoyed by the few. His 1899 book Composition: A series of Exercises in Art Structure for the Use of Students and Teachers, teaches students to create harmonious works of art through the elements of the composition, such as line, balance, and color. Dow's many students include photographer Alvin Langdon Coburn, painter Georgia O'Keefe, and the Overbeck sisters, whose works in pottery you can see on MAACM's fourth floor. Dow's Composition is still taught today using his theories of space and design, and his legacy ripples through artistic expression through the 19th and 20th centuries.

Tilla Durieux was a celebrated star of the film and theater, a modern woman of the 1920s, politically active and perhaps the most portrayed woman of her time. The roles of Tilla Durieux (1880-1971) were as varied as the artists for whom she posed as a model, among them Auguste Renoir, Max Slevogt, Lovis Corinth, Franz von Stuck, Charley Toorop, Ernst Barlach, Oskar Kokoschka, Max Oppenheimer and the photographers Lotte Jacobi and Frieda Riess.

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

This temporary exhibition was created with the aim of presenting the works and objects that have entered the collections of the three Sitges museums since 2014. This date marked the reopening of the seafront, Cau Ferrat and Maricel museums. Since then the museums have incorporated 1,382 works, objects and documents, of which a selection of 300 are now on display.

Among the works on display are pieces by Picasso, Isidre Nonell, Ramon Casas, Santiago Rusiñol, Olga Sacharoff and Alonso Cano, as well as one of the largest glass collections in Catalonia, which includes pieces from ancient Egypt to the 18th century.