The National Gallery presents the first UK exhibition of Spain's Impressionist, Sorolla, in over a century.
Known as the "master of light" for his iridescent canvases, this is a rare opportunity to see the most complete exhibition of Joaquín Sorolla y Bastida's (1863-1923) paintings outside Spain.

The National Museum in Kraków is commemorating the 110th anniversary of Stanis?aw Wyspianski 's death with an exhibition entitled "Wyspianski" that includes more than 900 works by this outstanding, multifaceted artist from Poland at the turn of the 20th century. Wyspianski was a major poet, painter, playwright, designer, illustrator, theatre reformer, graphic designer and set designer.

It is the story of a shop unlike anything built nowadays. Over 100 years old, it is the last semi-industrial building designed by Victor Horta that is still in existence! During the first 70 years of its life, cloth and fabrics were sold there, as planned by Charles Waucquez.
Witness to the transformation of Brussels, in a district that is without doubt the one that had suffered most from 20th century progress, the shop closed in 1970, and thereafter experienced its most difficult years. Then new hopes, new projects appeared.
In 1984, the building was bought by the federal State, with the aim of establishing a museum devoted to comic strip.

The presentation will include a selection of drawings, photographs, and sketches for objects ranging from windows to baptismal fonts, that reveal something of the creative processa t Tiffany?s firm.

This exhibition provides an intimate view of the innovator who built the artistic empire of Tiffany Studios, a man who found inspiration, for example, in farm scenes, children playing in the surf, and boats on the Hudson River.

105 years after the official inauguration of the Wolfers Frères jewellery store in 1912, visitors will once again be able to admire the shop in its original form. To do this, the Cinquantenaire museum has cleared a room of approximately the same shape and area as that originally foreseen by Victor Horta in the building in rue d?Arenberg in Brussels

Otto Wagner (1841-1918) is one of the most significant architects of the turn of the twentieth century. His building projects-among them the City Railway (Wiener Stadtbahn), the Postal Savings Bank (Postsparkasse), and the Church at Steinhof-are regarded as milestones on the path from historicism to modernism.

Gustav Klimt is probably the artist most associated with Austrian art. His death in 1918 - the same year as the deaths of Egon Schiele, Koloman Moser, and Otto Wagner - is seen as the end of an era. However, their influence on the art world had waned even before this. Only peripherally affected by the political turmoil, a vibrant art scene developed in the countries of the Austro-Hungarian Empire with artists striving for change. The exhibition at the Lower Belvedere will guide you through this post-Klimt era.

The exhibition "Art Nouveau | New Objectivity | Delft" demonstrates that this important and innovative period in the cultural history of Delft is also of national and international significance. This Delft urge for innovation represents an important guiding principle in the Museum Prinsenhof Delft programming. It has previously resulted in the highly successful exhibitions of the work of modern Delft masters like Jan Schoonhoven (2015-2016) and Theo Jansen (2016-2017).

2018 is the 150th anniversary of the birth of celebrated Glasgow architect, designer and artist Charles Rennie Mackintosh (1868-1928). Glasgow Museums is celebrating this significant anniversary with a major new temporary exhibition, one of the key events in the city-wide Mackintosh 2018 programme.

The installation "Charles Rennie Mackintosh: Making the Glasgow Style" spans the lifetime of the artist and takes a chronological and thematic narrative. Placing Mackintosh at the core of the story, it presents his work in the context of Glasgow, his key predecessors, influences and contemporaries, particularly those working in the Glasgow Style.

The exhibition "WOW! The Heidi Horten Collection" is the first public presentation of one of the most impressive European private collections. The presentation at the Leopold Museum fulfils the collector's long-cherished wish to make the masterpieces meticulously collected by her since the 1990s by artists from Gustav Klimt to Andy Warhol and Damien Hirst accessible to a wide audience. Featuring more than 150 works from 100 years of art history, the presentation affords individual insights into the spectrum of art and artists united by Heidi Goess-Horten under one roof. The largest groups of works are those of Expressionism and American Pop Art. On display will be works by Marc Chagall, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, August Macke, Franz Marc, Henri Matisse, Joan Miro, Edvard Munch, Pablo Picasso, Egon Schiele, Francis Bacon, Georg Baselitz, Jean-Michel Basquiat, Jean Dubuffet, Lucio Fontana, Lucian Freud, Damien Hirst, Alex Katz, Yves Klein, Roy Lichtenstein, Robert Rauschenberg, Gerhard Richter, Mark Rothko, Andy Warhol and many others.

An exhibition that brings us an in-depth look at the ground-breaking figures of modern dance through seven choreographers and dancers: Isadora Duncan, Loïe Fuller, Josephine Baker, Tórtola Valencia, Mary Wigman, Martha Graham, and Doris Humphrey. The exhibit thus vindicates the role of these historic pioneers who believed in the need to create new forms of expression and liberate the female body, challenging social conventions and the rigid canon of Romantic ballet.

Dedicated to this revolutionary Viennese architect, the exhibition sets out to explore notions of domestic and private spaces in the aesthetic thinking of Adolf Loos against the literary, architectural and philosophical backdrop of early 20th-century Vienna.

The presentation brings us an in-depth look at the ground-breaking figures of modern dance through seven choreographers and dancers: Isadora Duncan, Loïe Fuller, Josephine Baker, Tórtola Valencia, Mary Wigman, Martha Graham, and Doris Humphrey. The exhibit thus vindicates the role of these historic pioneers who believed in the need to create new forms of expression and liberate the female body, challenging social conventions and the rigid canon of Romantic ballet.

Egon Schiele (1890-1918), Gunter Brus (* 1938) and Thomas Palme (* 1967) - three enfants terribles of their respective generations.